Don Brown is a sculptor best known for his dedication to varied depictions of his wife, Yoko. Since 1999, Brown has been producing three-quarter or half-scale portraits of Yoko using a classical tradition of representational sculpture, but without heroism or idealization. The figure, almost always with downcast or closed eyes, appears in various states of dress—sometimes obscured entirely in a sheet. Brown is perhaps most celebrated for his technical virtuosity, demonstrated by the freestanding balance and pristinely smooth surfaces in both bronze and acrylic works, and his attention to minute detail. Brown also has explored the tradition of still lifes in his large-scale and sensuous renderings of fruit and eggs. More recently, he has also begun to work with drawing in pastel, which also feature Yoko as its sole subject.
Katharina Grosse is a German artist. As an artist, Grosse’s work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences
Isaac Brest, who received his professional training in film, is best known for works in photography and installation. He is involved in The Still House Group artist organization, which he founded with Alex Perweiler in 2007 in order to foster “creative sustainability” for future generations of artists seeking non-traditional career progressions. Brest’s own conceptually based works present wry commentary on contemporary art practice by incorporating elements of architecture and film; he also works frequently with industrial materials like sheet rock, sanding tools, Plexiglas, and plywood.
Sirbiladze was born in Tbilisi in Georgia. She studied art at the Tbilisi State Academy of Arts (1989–1994) in Georgia and later the Academy of Fine Arts Vienna (1997–2003) and Slade School of Fine Art, London, 2003. She was the widow of fellow artist Franz West (1947–2012) and collaborated with West on a number of projects.
Sirbiladze’s background influenced her approach to painting: “Sirbiladze was exposed to art mostly through books—her home country had few museums. She knew early on that she wanted to be an artist, however, and cited the colors of the art she came across as the reason she ended up painting.” She told Forbes in a 2015 interview, “Searching for light and color is my main engagement”.
Sirbiladze made paintings known for their speed, and she sometimes incorporated text into her work. Her characteristic style merged the figurative and the gestural. Her paintings have been described as “highly expressive” with splashes of color “forming abstracted figures and patterns.” An Art in America review, a year before her death at age 45, remarks on the “energetic content” of her work, saying “Sirbiladze’s line is spare; abundant, creamy negative space supports the gentle diagonal flow of marks” anchored by unexpected forms. Critic Alex Greenberger said, “Sirbiladze’s paintings played with the division between figuration and abstraction, often melding the two in ambiguous images. Genitalia and bodies can be glanced in some, while in others, objects like jugs and fruits seem to materialize. Sirbiladze’s paintings recall the work of Henri Matisse and the Impressionists in their light, expressive brushwork.”
Hugh Scott-Douglas was born in 1988, in Cambridge, England, Scott-Douglas moved to Edmonton, Canada, with his family as a young child, and later grew up in Ottawa. In his late teens, he studied briefly in the pre-college program at the Pratt Institute in Brooklyn before completing his BFA in sculpture at the Ontario College of Art and Design in 2010. He now lives and works in Brooklyn.
One of his Galleries puts it very well: Scott-Douglas’ work “situates itself at the confluence of a number of critical, socio-political, economic and aesthetic observations and investigations. Interrogating tensions between analogue and digital modes of production, he makes use of a wide range of techniques and media, from laser cutting, inkjet printing and photography, to numerical data and satellite mapping software. Across his practice, Scott-Douglas investigates the possibilities and limitations of the production of the photographic image at a turning point in the medium’s history, as it makes the conversion from modes of mechanical reproduction towards digital technologies. While formally elements of Scott-Douglas’ visual language resonate with recent developments in painting – particularly the process-orientated vocabulary of conceptual abstraction – his use of photographic media, from the old-fashioned cyanotype process favoured in his early career, to a juxtaposition of digital and print formats, reveals the close relationship his work shares with both the legacy and future of photography.”
Scott -Douglas has held solo exhibitions at Casey Kaplan in New York, Gallery Baton in Seoul and Blum and Poe in Tokyo and Los Angeles and Jessica Silverman Gallery (San Francisco). In addition he has participated in group shows at the Cordova Sculpture Park and Museum (Boston), the Museum of Contemporary Canadian Art (Toronto), and most recently at the Eli and Edythe Broad Art Museum at Michigan State University. His work is also featured in several public collections, including the Dallas Museum of Art. He is among the most closely watched artists to emerge in recent years.
Jack Greer is an aspiring American artist born in 1987, known for his work in a range of mediums, including drawing, photography, sculpture, and apparel design. The artist combines wall-mounted collages, sculpture, and installations with materials such as ink, dirt, blood, thread, and paint.
German born artist Chris Succo (1979) attended the Kunstakademie Düsseldorf, where he was awarded Meisterschüler by Prof. Georg Herold in 2009, and the Royal College of Art, graduating from the latter in 2012. He has exhibited internationally and continuously since his graduation and is in many important international collections. He is one of the foremost contemporary continental painters working in the abstract/minimalist tradition.
Chris Succo’s crisp, cool abstraction is so wide-ranging that, as author Christopher Schreck has noted, a single exhibition could look like a group show. Yet whether the German artist is working in lacquered aluminum and oil on canvas or creating sculpture with steel piping, mesh, or boxing equipment, his work shares certain commonalities: a quest to find individuality within the repetition of forms and techniques, elements of appropriation (including the titles of his series), and a minimalist palette largely comprised of matte black and white. Some of the brighter works in his oeuvre, the “Flag Pieces” consist of three diagonal bands of color and texture created by applying lacquer to black-and-white photographs. In these, Succo divides the canvas in a style reminiscent of Hard-Edged painting, as well as Succo’s own “Nu Era” series of black-and-white lacquered aluminum works.
Tobias Madison is a Swiss artist, known for his multidisciplinary conceptual art, moving image work, and performance art. His work frequently uses video, photography, text and installation to probe the economy of interpersonal relations in mediated realities. Madison lives and works in New York City.
Stephen Shore is an American photographer known for his images of banal scenes and objects in the United States, and for his pioneering use of color in art photography. His books include Uncommon Places and American Surfaces, photographs that he took on cross-country road trips in the 1970s.